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A signed print of Marianne Faithfull, who smiles at the camera whilst holding a kitten, London circa 1965, signed by the photographer John 'Hoppy' Hopkins

Signed Print of Marianne Faithfull

A signed print of Marianne Faithfull, who smiles at the camera whilst holding a kitten, London circa 1965, signed by the photographer John 'Hoppy' Hopkins Gallery:
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An Edition Print of Marianne Faithfull in which she smiles at the camera with her chin in her hands, photographed in close up, signed by the photographer John 'Hoppy' Hopkins

Signed Print of Marianne Faithfull

An Edition Print of Marianne Faithfull in which she smiles at the camera with her chin in her hands, photographed in close up, signed by the photographer John 'Hoppy' Hopkins Gallery:
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A print of American jazz pianist and composer Dave Brubeck as he plays piano on BBC2-TV Jazz 625, 09 June 1964, signed by the photographer John 'Hoppy' Hopkins

Signed Print of Dave Brubeck

A print of American jazz pianist and composer Dave Brubeck as he plays piano on BBC2-TV Jazz 625, 09 June 1964, signed by the photographer John 'Hoppy' Hopkins Gallery:
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A print of Louis Armstrong as he sits onstage and smiles at the camera during a rehearsal break at BBC-TV Theatre, Shepherd’s Bush, London, on 03 June 1965. The print is signed by the photographer, John 'Hoppy' Hopkins

Signed Print of Louis Armstrong

A print of Louis Armstrong as he sits onstage and smiles at the camera during a rehearsal break at BBC-TV Theatre, Shepherd’s Bush, London, on 03 June 1965. The print is signed by the photographer, John 'Hoppy' Hopkins Gallery:
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An example of an Edition Print of a small boy who lies on top of a wall and stares at the camera in West London, circa 1961. A row of terraced houses and a church can be seen in the background. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20.

Boy on Wall

An example of an Edition Print of a small boy who lies on top of a wall and stares at the camera in West London, circa 1961. A row of terraced houses and a church can be seen in the background. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20. Gallery:
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An example of an Edition Print of John Lennon, who smokes whilst The Beatles rehearse for ABC's TV show 'Thank Your Lucky Stars', taken at Teddington Studios in the UK, on 14 November 1964. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20.

John Lennon Edition Print

An example of an Edition Print of John Lennon, who smokes whilst The Beatles rehearse for ABC's TV show 'Thank Your Lucky Stars', taken at Teddington Studios in the UK, on 14 November 1964. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20. Gallery:
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An example of an Edition Print of Brian Jones of The Rolling Stones on stage at Alexandra Palace in London on 26 June 1964 during the All-Night Rave. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. This print is available in three sizes and an edition of #20.

Brian Jones Edition Print

An example of an Edition Print of Brian Jones of The Rolling Stones on stage at Alexandra Palace in London on 26 June 1964 during the All-Night Rave. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. This print is available in three sizes and an edition of #20. Gallery:
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An example of an Edition Print of Malcolm X who smiles as he turns over a piece of paper during his speech at the Malayan Islamic Study Group in Notting Hill, London on December 05 1964. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20.

Malcolm X Edition Print

An example of an Edition Print of Malcolm X who smiles as he turns over a piece of paper during his speech at the Malayan Islamic Study Group in Notting Hill, London on December 05 1964. The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20. Gallery:
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An example of an Edition Print of a close-up of civil rights campaigner Dr. Martin Luther King as he rests his chin on his hands at a press conference organised by the Campaign for Nuclear Disarmament at the London Hilton Hotel, 06 December 1964.The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20.

Dr Martin Luther King Edition Print

An example of an Edition Print of a close-up of civil rights campaigner Dr. Martin Luther King as he rests his chin on his hands at a press conference organised by the Campaign for Nuclear Disarmament at the London Hilton Hotel, 06 December 1964.The print is authenticated by the Estate of the photographer, John 'Hoppy' Hopkins, and features an embossed recto Estate authentication edition stamp in the bottom left corner inside the white border and an archivally-stable inked verso stamp containing the full edition and authentication details on the reverse. The print is available in three sizes and an edition of #20. Gallery:
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Shot from below, a labourer perches on scaffolding boards and rebars that stick out of a poured concrete column on a building site: another labourer is on a platform above him and there is a crane in the background of the shot, London circa 1963

Scaffolding Boards

Shot from below, a labourer perches on scaffolding boards and rebars that stick out of a poured concrete column on a building site: another labourer is on a platform above him and there is a crane in the background of the shot, London circa 1963 Gallery:
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Two labourers chat briefly whilst a third takes heavy bolt-cutters to a grid of welded steel reinforcing rods on the floor of a building being constructed in London. In the background of the image are low-rise blocks of flats and on-site cranes, London circa 1963

Rebars Floor

Two labourers chat briefly whilst a third takes heavy bolt-cutters to a grid of welded steel reinforcing rods on the floor of a building being constructed in London. In the background of the image are low-rise blocks of flats and on-site cranes, London circa 1963 Gallery:
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On a building site in London a labourer in a cloth cap holds a grid of welded rebars upright in the foreground of the image whilst three men in suits confer in the background. London circa 1963

Rebars Cage

On a building site in London a labourer in a cloth cap holds a grid of welded rebars upright in the foreground of the image whilst three men in suits confer in the background. London circa 1963 Gallery:
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On a building site a labourer with a pipe stops for a chat in the foreground whilst a concrete floor is poured and levelled with a wooden plank behind him. Steel reinforcing rods criss-cross the image and in the background are Victorian terraced houses, London circa 1963

Pouring Concrete

On a building site a labourer with a pipe stops for a chat in the foreground whilst a concrete floor is poured and levelled with a wooden plank behind him. Steel reinforcing rods criss-cross the image and in the background are Victorian terraced houses, London circa 1963 Gallery:
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A crowd of labourers on a building site stand around and chat at the end of a working day, London circa 1963

Labourers

A crowd of labourers on a building site stand around and chat at the end of a working day, London circa 1963 Gallery:
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On a building site two labourers converse: one man wears a hard hat and a checked shirt, the other has on a cloth cap, wears a white vest and holds a wooden baton. A third man drives a vehicle across the site behind them and there are barely visible Victorian terraced houses in the background, London circa 1963

Labourer Chat

On a building site two labourers converse: one man wears a hard hat and a checked shirt, the other has on a cloth cap, wears a white vest and holds a wooden baton. A third man drives a vehicle across the site behind them and there are barely visible Victorian terraced houses in the background, London circa 1963 Gallery:
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On a post-war reconstruction site in London, labourers work on the lower ground foundations of a large building under construction. In the foreground a man moves a pile of bricks: Victorian terraced houses on a street can be seen in the background of the image. London circa 1963

Foundations

On a post-war reconstruction site in London, labourers work on the lower ground foundations of a large building under construction. In the foreground a man moves a pile of bricks: Victorian terraced houses on a street can be seen in the background of the image. London circa 1963 Gallery:
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Five firemen brace a wheeled extendable ladder against the kerb as a fire rages within a residential building on Gloucester Terrace, Bayswater W2, London circa 1964. Smoke fills the scene and bystanders watch from a distance in the background

Five Firemen

Five firemen brace a wheeled extendable ladder against the kerb as a fire rages within a residential building on Gloucester Terrace, Bayswater W2, London circa 1964. Smoke fills the scene and bystanders watch from a distance in the background Gallery:
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Silhouetted against the streetlight, a fireman climbs an extendable ladder as a residential building on Gloucester Terrace, Bayswater W2 blazes, smoke fills the air and water hoses curl across the pavement below, London circa 1964

Silhouette

Silhouetted against the streetlight, a fireman climbs an extendable ladder as a residential building on Gloucester Terrace, Bayswater W2 blazes, smoke fills the air and water hoses curl across the pavement below, London circa 1964 Gallery:
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Smoke fills the scene as two firemen fill out a Stage 2 Control Board at 5.20pm during a fire in a residential building on Gloucester Terrace, Bayswater W2, London circa 1964

Control Board

Smoke fills the scene as two firemen fill out a Stage 2 Control Board at 5.20pm during a fire in a residential building on Gloucester Terrace, Bayswater W2, London circa 1964 Gallery:
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A middle-aged woman in a flowery tabard sweeps the street outside a residential building: two other women stand nearby. The older one holds food in a paper wrapper whilst the younger woman is more fashionably dressed and has a baby in a pram. London circa 1964

3 Women and A Baby

A middle-aged woman in a flowery tabard sweeps the street outside a residential building: two other women stand nearby. The older one holds food in a paper wrapper whilst the younger woman is more fashionably dressed and has a baby in a pram. London circa 1964 Gallery:
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A crowd of people watching firemen deal with a burning residential building smile at the spectacle as the firemen bring the situation under control, Gloucester Terrace, Bayswater, London W2 circa 1964

Smiling Crowd

A crowd of people watching firemen deal with a burning residential building smile at the spectacle as the firemen bring the situation under control, Gloucester Terrace, Bayswater, London W2 circa 1964 Gallery:
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The roof of Paddington Railway Station is reflected in the shiny black exterior of several London Taxi Cabs waiting in line for passengers. A train carriage, platform numbers and an advertisement for the Black and White Minstrel show can just be seen in the background. London circa 1962

Roof Reflections

The roof of Paddington Railway Station is reflected in the shiny black exterior of several London Taxi Cabs waiting in line for passengers. A train carriage, platform numbers and an advertisement for the Black and White Minstrel show can just be seen in the background. London circa 1962 Gallery:
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A new hi-rise residential tower block constructed by Wates can be seen behind bomb-damaged shops on the Harrow Road. All that is left of the shops are the façades and the signage. Two young boys walk on the pavement in the foreground and a person on a scooter rides past, London circa 1964

Facade Only

A new hi-rise residential tower block constructed by Wates can be seen behind bomb-damaged shops on the Harrow Road. All that is left of the shops are the façades and the signage. Two young boys walk on the pavement in the foreground and a person on a scooter rides past, London circa 1964 Gallery:
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A young boy in winter clothes stands outside a terraced house with missing railings. The front door to the property is open and two trikes plus several toys and an empty milk bottle can be seen on the steps leading to the door, London circa 1964

Doorstep Trikes

A young boy in winter clothes stands outside a terraced house with missing railings. The front door to the property is open and two trikes plus several toys and an empty milk bottle can be seen on the steps leading to the door, London circa 1964 Gallery:
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A pram sits beside a covered scooter outside a four-storey terraced house with a mandala-printed cloth in the window, London circa 1964

Doorstep Pram

A pram sits beside a covered scooter outside a four-storey terraced house with a mandala-printed cloth in the window, London circa 1964 Gallery:
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A man sweeps up debris in the foreground as collapsed scaffolding covers a Willment flat-bed truck during construction of a building on a London street. People crowd the doorway of a shop in the background, circa 1964

Collapsed Scaffolding

A man sweeps up debris in the foreground as collapsed scaffolding covers a Willment flat-bed truck during construction of a building on a London street. People crowd the doorway of a shop in the background, circa 1964 Gallery:
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An elderly man waits for a different train as a woman walks along the platform towards the street level exit at Camden Town Underground Station. A tube train with the doors open has a few passengers on board and the platform walls are covered with advertising posters. London circa 1962

Camden Town Tube

An elderly man waits for a different train as a woman walks along the platform towards the street level exit at Camden Town Underground Station. A tube train with the doors open has a few passengers on board and the platform walls are covered with advertising posters. London circa 1962 Gallery:
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A crowd of onlookers watch intently as firemen deal with a burning residential building on Gloucester Terrace, Bayswater, London W2 circa 1964

Bystanders Watch

A crowd of onlookers watch intently as firemen deal with a burning residential building on Gloucester Terrace, Bayswater, London W2 circa 1964 Gallery:
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Several men in suits exit a Men’s Lavatory on a busy Fleet Street in central London. A man with a luxuriant handlebar moustache looks directly to camera as cars, lorries and buses fill the road and pedestrians rush about their business, London circa 1962

Public Convenience

Several men in suits exit a Men’s Lavatory on a busy Fleet Street in central London. A man with a luxuriant handlebar moustache looks directly to camera as cars, lorries and buses fill the road and pedestrians rush about their business, London circa 1962 Gallery:
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A middle-aged woman sits on a iron-framed single bed with a young child in her lap in front of peeling and dilapidated wallpaper. There is laundry hanging across the room and in the foreground a teenager in a flowery tabard irons fabric on a very damaged ironing board, London circa 1964

Bedsitter 2

A middle-aged woman sits on a iron-framed single bed with a young child in her lap in front of peeling and dilapidated wallpaper. There is laundry hanging across the room and in the foreground a teenager in a flowery tabard irons fabric on a very damaged ironing board, London circa 1964 Gallery:
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A middle-aged woman sits on a iron-framed single bed with two children in front of peeling and dilapidated wallpaper. The younger child is on her lap whilst the older girl looks off camera, London circa 1964

Bedsitter

A middle-aged woman sits on a iron-framed single bed with two children in front of peeling and dilapidated wallpaper. The younger child is on her lap whilst the older girl looks off camera, London circa 1964 Gallery:
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A girl bounces a ball as she plays on a walkway outside her flat in a crowded Victorian mansion block in the East End. She is watched by a woman and a toddler and there are three women chatting on the walkway above hers. Laundry hangs from the line, London, circa 1964

Walkway Play

A girl bounces a ball as she plays on a walkway outside her flat in a crowded Victorian mansion block in the East End. She is watched by a woman and a toddler and there are three women chatting on the walkway above hers. Laundry hangs from the line, London, circa 1964 Gallery:
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A young girl in a winter coat and knitted hat pushes a toy pram in front of a boarded-up pub with an empty bottle of fortified wine on the doorstep. An elderly woman carrying a cardboard box walks away from the camera towards a black and white cat, London circa 1964

Street Life

A young girl in a winter coat and knitted hat pushes a toy pram in front of a boarded-up pub with an empty bottle of fortified wine on the doorstep. An elderly woman carrying a cardboard box walks away from the camera towards a black and white cat, London circa 1964 Gallery:
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A young boys reads a book as he sits on the roof of a car that has been totally stripped and left on a bomb-site. Dead tree branches and detritus cover the wheel arches of the car - all that is left of it is the metal frame. The boy concentrates on the book and holds another in his arms. in the background are several burned-out vehicles, derelict and occupied houses, East End of London circa 1964

Outdoor Learning

A young boys reads a book as he sits on the roof of a car that has been totally stripped and left on a bomb-site. Dead tree branches and detritus cover the wheel arches of the car - all that is left of it is the metal frame. The boy concentrates on the book and holds another in his arms. in the background are several burned-out vehicles, derelict and occupied houses, East End of London circa 1964 Gallery:
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Teenaged girls of diverse ethnicity smile and react to the camera as they exit a building in the East End: a young man with his back to the viewer leans on a metal barrier, London circa 1964

Happy Teens

Teenaged girls of diverse ethnicity smile and react to the camera as they exit a building in the East End: a young man with his back to the viewer leans on a metal barrier, London circa 1964 Gallery:
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A rectangular printed verso stamp from the Estate of John Hopkins detailing archival edition print information: used for authenticating photographic edition prints produced by John 'Hoppy' Hopkins and the Estate

Estate of John Hopkins verso stamp

A rectangular printed verso stamp from the Estate of John Hopkins detailing archival edition print information: used for authenticating photographic edition prints produced by John 'Hoppy' Hopkins and the Estate Gallery:
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A round embossed recto stamp from the Estate of John Hopkins with the text Hoppy Estate Edition around the outside, encircling a facsimile of Hoppy's signature: used for authenticating photographic edition prints

Estate of John Hopkins recto stamp

A round embossed recto stamp from the Estate of John Hopkins with the text Hoppy Estate Edition around the outside, encircling a facsimile of Hoppy's signature: used for authenticating photographic edition prints Gallery:
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An open copy of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The page features a photograph of L-R: Jeff Nuttall, John 'Hoppy' Hopkins (lying down), Kate Heliczer, Harry Fainlight, Michelle Poole, Greg the Thief, prior to attending the last day of the Aldermaston-London Campaign for Nuclear Disarmament rally in Trafalgar Square on Easter Monday, 11 April 1966.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

An open copy of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The page features a photograph of L-R: Jeff Nuttall, John 'Hoppy' Hopkins (lying down), Kate Heliczer, Harry Fainlight, Michelle Poole, Greg the Thief, prior to attending the last day of the Aldermaston-London Campaign for Nuclear Disarmament rally in Trafalgar Square on Easter Monday, 11 April 1966. Gallery:
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Five copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. Four copies are stacked in a pile, and an open copy of the book in the foreground features images of Canon Collins, Dr Martin Luther King and Reverend Ralph Abernathy on one page and a close-up of Dr Martin Luther King on the other.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

Five copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. Four copies are stacked in a pile, and an open copy of the book in the foreground features images of Canon Collins, Dr Martin Luther King and Reverend Ralph Abernathy on one page and a close-up of Dr Martin Luther King on the other. Gallery:
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Three copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The front and back covers are visible on two of the books standing upright, and an open copy of the book in the foreground features images of three of the Beatles on one page and John Lennon on the other.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

Three copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The front and back covers are visible on two of the books standing upright, and an open copy of the book in the foreground features images of three of the Beatles on one page and John Lennon on the other. Gallery:
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A middle-aged man pulls a handcart into the junction of Wardour Street and Shaftesbury Avenue: the cart carries boxes of vegetables from F A Barker of Datchet. In the background people walk along Wardour Street towards Gerrard Street and vehicles wait at the traffic lights; London, circa Summer 1964

Wardour Street handcart

A middle-aged man pulls a handcart into the junction of Wardour Street and Shaftesbury Avenue: the cart carries boxes of vegetables from F A Barker of Datchet. In the background people walk along Wardour Street towards Gerrard Street and vehicles wait at the traffic lights; London, circa Summer 1964 Gallery:
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A middle-aged woman in a cardigan and woolly hat stands behind a makeshift bar and serves drinks to men in suits and trilby hats at the opening of the Hyde Park Corner underpass, held on-site, on 17 October 1962 in London. The underpass curves away in the distance and the scene is lit by overhead fluorescent lights

Underpass Drinks

A middle-aged woman in a cardigan and woolly hat stands behind a makeshift bar and serves drinks to men in suits and trilby hats at the opening of the Hyde Park Corner underpass, held on-site, on 17 October 1962 in London. The underpass curves away in the distance and the scene is lit by overhead fluorescent lights Gallery:
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A man walks past a striptease joint, looking behind him with a grumpy expression. There are photographs of the performers in seductive poses in the window, below an illuminated sign which reads ‘Spectacular Striptease Non-stop Revue’, Soho, London, circa 1964

Spectacular Striptease

A man walks past a striptease joint, looking behind him with a grumpy expression. There are photographs of the performers in seductive poses in the window, below an illuminated sign which reads ‘Spectacular Striptease Non-stop Revue’, Soho, London, circa 1964 Gallery:
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On Regent Street a stylishly dressed woman stands with three children, including a sleeping toddler in a pushchair: her two other children look at the camera as they hold on to the pushchair. Christmas shoppers crowd the pavement and Routemaster double-decker buses, including route 13 to London Bridge, travel under festive decorations; London, December 1961

Stylish Shopper

On Regent Street a stylishly dressed woman stands with three children, including a sleeping toddler in a pushchair: her two other children look at the camera as they hold on to the pushchair. Christmas shoppers crowd the pavement and Routemaster double-decker buses, including route 13 to London Bridge, travel under festive decorations; London, December 1961 Gallery:
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Two women wait to disembark an open-platform number 13 Routemaster double-decker bus as it travels south along Regent Street, past pedestrians, Christmas festive street decorations, a Meredew Furniture van, motor cars and taxi-cabs; London, December 1961

Route 13 Passengers

Two women wait to disembark an open-platform number 13 Routemaster double-decker bus as it travels south along Regent Street, past pedestrians, Christmas festive street decorations, a Meredew Furniture van, motor cars and taxi-cabs; London, December 1961 Gallery:
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On the opening day of the Hyde Park Corner underpass three young men stand in the middle of the road as they measure out the gaps between letters before they paint filtering instructions onto the tarmac. They have yet to chalk out the letters P and I in the directive PICCADILLY ONLY: the rest has already been painted onto the road; London, October 17 1962

Piccadilly Only

On the opening day of the Hyde Park Corner underpass three young men stand in the middle of the road as they measure out the gaps between letters before they paint filtering instructions onto the tarmac. They have yet to chalk out the letters P and I in the directive PICCADILLY ONLY: the rest has already been painted onto the road; London, October 17 1962 Gallery:
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A pile of obsolete wooden directional signs for various central London locations lie on the ground in a pile at the top of Park Lane on Hyde Park Corner. In the distance a police officer directs traffic flow: London circa 1962

Obsolete Road Signs

A pile of obsolete wooden directional signs for various central London locations lie on the ground in a pile at the top of Park Lane on Hyde Park Corner. In the distance a police officer directs traffic flow: London circa 1962 Gallery:
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Two young construction workers flick V-signs at the photographer as they sit amongst their colleagues and eat during a break from working on the Hyde Park Corner underpass; London circa 1962 as motor vehicles, black taxi-cabs and Routemaster buses drive past; London circa 1962

Flicking the V

Two young construction workers flick V-signs at the photographer as they sit amongst their colleagues and eat during a break from working on the Hyde Park Corner underpass; London circa 1962 as motor vehicles, black taxi-cabs and Routemaster buses drive past; London circa 1962 Gallery:
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Old fashioned black London taxi-cans and motor cars are stuck in a traffic jam on Park Lane: in the distance there is a constructor’s hoarding for the London Hilton Hotel; London circa 1962

Traffic Jam

Old fashioned black London taxi-cans and motor cars are stuck in a traffic jam on Park Lane: in the distance there is a constructor’s hoarding for the London Hilton Hotel; London circa 1962 Gallery:
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A man in a cloth cap and tattered suit carries a heavy sack in front of scaffolding and weighing machinery on a building site, England circa 1963

Heavy Load

A man in a cloth cap and tattered suit carries a heavy sack in front of scaffolding and weighing machinery on a building site, England circa 1963 Gallery:
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A man removes a pile of chairs from the rear of a catering company van supplying furniture for an event in a building near Park Lane; London circa 1962

Chair Hire

A man removes a pile of chairs from the rear of a catering company van supplying furniture for an event in a building near Park Lane; London circa 1962 Gallery:
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