photographer

The Errol Linton Band playing live at the Windmill in Brixton, London, circa 2004. L-R: Errol Linton (harmonica), Jean-Pierre Lampe (double bass), Adam Blake (guitar), Phil Myers (drums). The image features the signature of the photographer in the bottom right corner, John 'Hoppy' Hopkins

Errol Linton Band by John Hoppy Hopkins

The Errol Linton Band playing live at the Windmill in Brixton, London, circa 2004. L-R: Errol Linton (harmonica), Jean-Pierre Lampe (double bass), Adam Blake (guitar), Phil Myers (drums). The image features the signature of the photographer in the bottom right corner, John 'Hoppy' Hopkins Gallery:
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An open copy of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The page features a photograph of L-R: Jeff Nuttall, John 'Hoppy' Hopkins (lying down), Kate Heliczer, Harry Fainlight, Michelle Poole, Greg the Thief, prior to attending the last day of the Aldermaston-London Campaign for Nuclear Disarmament rally in Trafalgar Square on Easter Monday, 11 April 1966.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

An open copy of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The page features a photograph of L-R: Jeff Nuttall, John 'Hoppy' Hopkins (lying down), Kate Heliczer, Harry Fainlight, Michelle Poole, Greg the Thief, prior to attending the last day of the Aldermaston-London Campaign for Nuclear Disarmament rally in Trafalgar Square on Easter Monday, 11 April 1966. Gallery:
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Five copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. Four copies are stacked in a pile, and an open copy of the book in the foreground features images of Canon Collins, Dr Martin Luther King and Reverend Ralph Abernathy on one page and a close-up of Dr Martin Luther King on the other.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

Five copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. Four copies are stacked in a pile, and an open copy of the book in the foreground features images of Canon Collins, Dr Martin Luther King and Reverend Ralph Abernathy on one page and a close-up of Dr Martin Luther King on the other. Gallery:
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Three copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The front and back covers are visible on two of the books standing upright, and an open copy of the book in the foreground features images of three of the Beatles on one page and John Lennon on the other.

FROM THE HIP – Photographs by JOHN ‘HOPPY’ HOPKINS 1960-66

Three copies of the book FROM THE HIP - Photographs by JOHN 'HOPPY' HOPKINS 1960-66 on a white background. The front and back covers are visible on two of the books standing upright, and an open copy of the book in the foreground features images of three of the Beatles on one page and John Lennon on the other. Gallery:
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French singer-songwriter Françoise Hardy holds an SLR and stares into the distance under a No Entry sign on New Bond Street in London’s West End, circa early 1964

Françoise Hardy

French singer-songwriter Françoise Hardy holds an SLR and stares into the distance under a No Entry sign on New Bond Street in London’s West End, circa early 1964 Gallery:
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Jimmy Smith and Val Wilmer

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Photographer Adam Ritchie sits cross-legged on the grass and holds a cigarette, backstage during the Newport Jazz Festival, Rhode Island, July 1965

Adam Ritchie

Photographer Adam Ritchie sits cross-legged on the grass and holds a cigarette, backstage during the Newport Jazz Festival, Rhode Island, July 1965 Gallery:
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Photographer and journalist on the jazz scene Val Wilmer looks at and holds a 35mm camera, seen through a closed window, circa 1965

Val Wilmer framed

Photographer and journalist on the jazz scene Val Wilmer looks at and holds a 35mm camera, seen through a closed window, circa 1965 Gallery:
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Photographer and journalist on the jazz scene Val Wilmer looks at and holds a 35mm camera, circa 1965

Val Wilmer side shot

Photographer and journalist on the jazz scene Val Wilmer looks at and holds a 35mm camera, circa 1965 Gallery:
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